The sheet is the artwork's second life
Choose wrong, and the best file falls flat. We work in museum-grade Hahnemühle and Canson stocks, so you can match paper to image texture, weight, whites, and all.
Your print, your margin
Every order comes with a choice of four borders. We work in inches — borderless for full-bleed images, and the wider borders create a mat effect that also makes handling easier. Proportions shown on a 12″ print.
All eight, one at a time
Pick a stock to see its weight, surface and what it's best suited to. Grouped by family, the way we store them in the studio.
Photographic
Cotton rag
Metallic & canvas
All eight stocks
All eight stocks we keep, with weight, surface and base. Ask if you need something outside this range — we source beyond it regularly.
| Paper | Weight | Finish | Base | Best for | Quick view |
|---|---|---|---|---|---|
| 255 gsm | Lustre | Resin coated | Photography, portraits, everyday prints | ||
| 230 gsm | Smooth matte | Alpha-cellulose | Proofs, volume orders, everyday art prints | ||
| 310 gsm | Smooth matte | 100% cotton | Paintings, high-key work, clean whites | ||
| 310 gsm | Textured matte | 100% cotton | Painting reproduction, watercolour | ||
| 310 gsm | Smooth matte | 100% cotton | Colour and black & white photography | ||
| 310 gsm | Textured matte | 100% cotton | Printmaking, limited editions | ||
| 310 gsm | |||||
| 340 gsm | Pearlescent | 100% cotton | Landscape, portrait, digital art | ||
| 400 gsm | Canvas weave | 100% cotton | Painting reproduction, statement pieces |
Matte or gloss? Let the image decide
Photo Rag Bright White
Keeps pigment soft and reflection-free — the closest surface to the original work.
William Turner
A watercolour-like grain for originals whose surface a smooth rag would flatten.
Rag Photographique
Denser blacks than most matte rags, with fine detail and no glare.
Test two, then decide
Book a print consultation and we'll advise on materials, sizing and finishing before you commit.